What is the difference between mix and remix

They can include new chords, riffs, drum patterns or vocals. Re-edits are common in DJ sets and are pre-prepared rearrangements of tracks. Mashups use parts of two different songs to create a new mix.

It could be an acapella of one song on top of the instrumental of another. They can work really well played in a DJ set - they surprise the audience and give it something fresh. Sometimes artists decide to create custom mixes for radio play and DJ sets. A radio edit could skip a lengthy intro while a club edit could lengthen the drop or add a drum outro for easier mixing. Discount already applied, no code needed!

These are typically unofficial - ie, made without permission from the original artist. Mash-ups are created by merging two tracks together to create a new mix, often by adding the vocal from one big track to the instrumental of another.

Mash-ups can be somewhat cheesy, but equally can draw a huge reaction when played in a DJ set, with artists like the Cut Up Boys basing their whole careers on mashing tracks into each other. Creating custom edits of your song can make it more appealing to different markets and audiences. Check out Mr. MusicRadar The No. In the second scenario things are a bit more complicated.

If you slow down the track at the same time you should avoid exceeding the planned length. Cutting partes of the song is not easy for several reasons. In particular, you might ruin the balance of the song built on a specific structure. Another important reason is related to the artist.

They may think you are going to destroy their original work, as they might focus more on the artistic side rather than a technical aspect of the project. So, the best thing to do is communicating with the client since the beginning and explaining all potential problems in order to sort out all these kind of issues quickly for the mixer and painlessly for the artist..

There are no strict rules for the intro section, apart from that it should last no more than seconds. A Radio Edit intro could start in the following ways:. It follows the progression and dynamics of the original song. The verse will lead straight to the bridge if there is one and the chorus.

After the first Chorus, you will generally go straight into the second verse. However, sometimes you may have space for a very short instrumental in between. Then straight into the second verse. You will go through this sub-structure also for verse 2, bridge 2 and chorus 2. The breakdown should last 8 or eventually 16 bars only if the original track included a middle 8 lasts exactly 16 bars. Anyway, it can loose the dynamics just enough to perceive that last chorus more appealing.

The last chorus is generally longer than the other choruses. If you are allowed to, it would be better double-length if there is no one in the song.

A longer chorus at the end will add something more to your track. As we mentioned before, the trend is to end radio edits at a defined point without using long fade out. A short build-up over the end of the last chorus could anticipate a final crash cymbal, or the last beat could be followed by the FX tail applied on a lead instrument such as a vocal hook or riff.

It depends. The most important thing is not spending all time on one version and rushing on the other one to meet the deadline. Some people prefer to start from the Club Mix and they find easier to shorten it for creating the Radio Edit. But this is just one side of the story. They would probably get bored from listening a long intro and end up to skip the first minute or so looking for the body of the track.

In this case, a good initial feedback from listening a Radio Edit version can clarify if you are on the right direction and allow you to use your time on the Club Mix more efficiently. In conclusion, depending on the genre and the situation, you should evaluate on your own what is the best thing to do.

The dub mix is the remix type that needs the most work. Here is the main difference since its introduction:. Early years : they used to drop most of the arrangement and put on the remaining vocals a lot of reverb and delay.